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![]() ![]() What is active versus passive listening? We all experience music in different ways, at different times, and in different environments. Sometimes the focus of our activity is on the music with few outside distractions. You may be in a darkened room listening to music, doing nothing but sitting there attentively listening. You block outside distractions by letting the phone go to the answering machine and you ensure others are out of your way. This is active listening. At other times, you are actively engaged in other activities and the music is in the background. You might be typing a paper or playing on the Internet with music streaming in the background. This is passive listening. Both of these are real examples, but don't really address the heart of active versus passive listening. It would be easy to postulate that if the focus of our activity is listening to music then we must be active participants. We could also surmise that if we are engaged in other activities and we have music in the background then we must be experiencing music in a passive fashion. Flawed Logic? To my way of thinking, these views are flawed and really don't address the heart of the matter. Both active and passive listening are attitudes that you pursue to achieve a final goal or state. If you pursue a passive listening experience my guess is that you will get a passive or benign experience. Bear with me on this one and hear me out before you write me off as a looney tune! Lets take the first example. You can do many things to address your environment such as darkening the room, participate in Active or Passive Listening? by Brian Boehler |


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Dec 2008, Volume 1 No. 1
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Musical Wallpaper is fine. But the obsessive-compulsive who listens all day at work to his or her iPod is not listening to music. He or she is seeking a subliminal distraction. I only listen actively, which means in short spurts of no more than three album. Usually I dedicated a listening experience to one album, then, if it inspire, another one. For me it is easy to get to the place where there is only the happening of the musical event, no me, no not-me. It takes only the first one or two songs. The problem most people have is one of two: either one is >trying< to enjoy oneself enjoying listening to music; or one is listening to one's stereo equipment (the analytical approach).
Thank you for reading.
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Thanks for posting.
Sorry for the bug where you couldn't see your post for a few days. A little bumpy road getting started here, apparently.
Personally, re your point, I listen to music in all ways, in all possible 'problematic' modes, or none, depending on the moment to moment flow of the 'experience'. Just like real life - but more intense ;-) Thanks for posting.
Sorry for the bug where you couldn't see your post for a few days. A little bumpy road getting started here, apparently.
Personally, re your point, I listen to music in all ways, in all possible 'problematic' modes, or none, depending on the moment to moment flow of the 'experience'. Just like real life - but more intense ;-)
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