Spintricity - EmmLabs Shootout: CDSD/DCC2 versus TSD1/DAC2 Continued(6)

dimension in the music opens up. This is something we will explore more here, and in future articles.

Steve: System sounds like it is not trying very hard.

C. Opera / Choirs

Many voices instead of a soup of voices. This added more of the human-to-human element, which is probably more important in choirs than in other types of music. Well, not more important, but it is usually missing and adds a familiarity and immersiveness that is quite heartwarming. More lip in sound of trumpet.

Neli: More harmonics, richer.

Steve: You could hear how the voice, in the opera or solo parts of the choir piece, naturally got closer and farther from the resonance frequencies of the hall [these pieces have a LOT of hall information]. The volume of certain frequencies of the voice was accurate enough that you could hear how the hall was influencing those frequencies in this way.

D. Perfect Circle - eMOTIVe, Fiddle and the Drum [many voices singing a\'capella]

It was fun to hear them going in and out of sync with each other. Yes, other effects to do with very accurate timing and lots of low level information being preserved. Voices real and personal. Harder to ignore voices when they sound like they are right there - before they were kind of buried and blurred into all the other voices.

E. Radiohead - Amnesiac. First track.

Sounds grow and decay in their own little spot. Not swamped by other sounds. Everything, all the many, many sounds Radiohead puts in this [all :-)] song, could be easily followed. Each sounds decay into final nothingness was there to enjoy. It was not swamped by the other sounds. We have heard this song 1000s of times - on all kinds of systems. This is NOT something that we have been able to hear and enjoy before. Yes, it is probably evidence of how Radiohead put the song together on tape. But is sure is entertaining - and adds a whole new dimension to enjoying music. How many times have we all gone to a live show, and just followed one musician\'s playing for awhile, kind of ignoring the other players? This is apparently harder to do on a home audio system than when listening to music live - or at least it was until now.

F. Elton John

Getting late. Very tired. This is the 3rd shootout this evening - [after the earlier ODIN Bang-for-the-buck shootout we got side-tracked into a little shootout of 4 power strips :-)]. Less bass than the shootout last week with this song? Don\'t know. Spent a lot of time listening to the various parts of the music. Neli: the piano and voice seemed much more in balance [I think do to the fact that one did not periodically dominate the other as much, that times when the voice was soft it could still be heard in its entirety. And vis-a-versa].

I will summarize the shootout involving several power distributors (aka power strips) quickly. Oh boy do they sound different from each other and the Office Depot $60 special , although gritty and uneven - retains at least most of the dynamics and is cheap. Very cheap. The two outlet $1500 Acoustic Revive sounded better - looked better - and didn\'t tip over as easily. But it is also more expensive. [OK, I have this thing about paying a lot of money for power strips. Sorry.] The less expensive ones really added too much and took away too much. But this made me wonder if a $10 \'power strip\'-like thing similar to one of the tools we used as a reference during this shootout might just beat about anything. More on this as soon as I remember to press buy in my stupid cart sitting in my stupid browser tab for over a month now because my stupid memory just ain\'t what it used to be [and it’s not like I did it any good during my misspent youth].