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![]() Got Music? "I got dem ol post CES blues..." And maybe some of you do too. Every year, the best part is listening to music and talking with people who actually listen about what we all are hearing. People seem to naturally cluster together in groups where we all kind of are looking for the same thing. So the 'price no object', 'what sounds really great?' people, well, we are with them (or they with us). This is unlike forums where the loudest lowest-common-denominator people dominate every group. It is not really a group so much as perhaps a bunch of addicts looking for their next fix asking everyone they think might know something, anything where the next great thing might be. For those who wondered why we did not do a 'Best of Show' it was because it was the same ole same ole. You got the Lamm/Wilson, Lars/Marten, Vitus/Marten, our $$$ Audio Note room, blah blah blah ....and Perfect8/Yspsilon (the only positive surprise, and you have to listen around the amps to hear it. But at $375K...). A lot of pretenders sounded pretty depressing - and a lot of rooms that should have sounded at least decent, also were depressing. Look, every system has a bar it should meet - a certain level of competence - at its price point. I've only read a paragraph or two of other reports. I am sure when I see all the lie$ it will piss me off and spur me to describe what these systems sounded like - letting you the reader decide if you thought it was 'spectacular' [the word used in the only report I have read described a room that usually sounds much better - what these people must listen to at home I don't know... but I mourn for their families]. So, like I said, mostly same as it always is. But is is great fun dissecting the sound of each room worth dissecting with your friends as you hobble room to room or at dinner. Something everyone should experience at least a dozen times or so :-) Exposé |


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Feb 2010, Volume 2 No. 2
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